Monday, October 30, 2006

FRÉRRE JAQCQUES


Uma boa glosa só pode ser patafísica (achocolatadamente anárquica). Sinto-me não só um Jacques mais-ou-menos pastiche quanto um Jaqcques religiosamente DADA. Não sou um homem de colunas de artigo ou das crónicas políticas ou agúdas, sou, como MST, um ferveroso adepto das clónicas. Clonista mor do que selvagemente se dá ao copianço recordo o meu mestre fredurista Savinio - um erro de máquina (freudiano ou mecânico) é mais significativo que qualquer treta hermeneutica. Savinio versus Heidegger.

EXPLAINIST WAR (after (pro and against) Roy Ascott) by Jacques Pastiche





Beware the scientific jargon and artistic ignorance!

The artist is allways unprepared. He looks around. He is not anywhere. He should’t fit into any discipline, scientific or spiritual, any canonic view of the world - however esoteric or arcane - any culture, immediate or distant in space-time. In order to find ideas or processes which might engender creativity, the processes and the ideas have to canibalize the artist and all the mediums in wich he swims.

Every language forges the deligtfull illusion of a meta-language and meta-system that places one discipline or world-view automatically above all others, but only in a special kind of fiction.

Meta-languages are erotic and sometimes boring and quite meaningless. There is a special accumulation of energy in meta-languages, like in witchcraft. Meta-languages = magick

our media is our body – mixed stuff of absolute incarnation
our mind is an interface between biotecnologies old as “life” or new as “telematics”
our body is changing environment being changed by its drifts and environments
our planet is a growing chain of links trying to link new links to link the rest of the “universe”
our unreality (wich is real) is a changeble syncretism learning to forge and forging new syncretisms



Vegetarianization of thinking is activating ornement as biological structure for theory and a biotheoretical structure for the body

Virtual «reality» incarnates allways because there is no virtuality without viewers – virtuallity exists only because of the feed-back. Actuality is feed-back flashing virtualy.

Reality, as a revealed branch of unreality, is interactive somatic technology, telepatic, submersive

Understanding contemporanity as a POLYSYNCRETIC DRIFT will lead to significant changes in the way we charge and discharge our identity, our relationship to the so called others, and “phenomenology” as a an experience of creative-deformative plays in time and space.

POLYSYNCRETIC DRIFTS are a set of discharging patterns wich change orthodoxies into a comic-erotic-cognitive process.

In religious or spiritual contexts, POLYSYNCRETIC DRIFTS means polyritualism, psychic rapture (blind bliss?) and the assimilation of the practice of science and art as cognitive intoxicants.

I am an inter-actor of organized-caotic connectivity. My body is linked to other bodies – Nature is telematic and telepatic, connects and disconnects. Internet is a part of nature sublimating itself. Internet is not intersting in itself, but is intersting as an action networking out of Internet.

SYNCRETISM IS CONNECTIV ECLETISM - Radical hibrydism, tantric complexity, quantum communism, associative-dissociative entanglements

An organism’s information network technologically by flashing flows of artoms
Telematic networks are emancipative? Sometimes. A network captures and liberates. Don’t have the temptation of becoming the slave of telematic inconstancies and habits.

Technoerotics are the only trustfull suport of the ethical fields

While individual self-awareness is a prerequisite of (be)living beings, consciousness is more likely to be the an anarco-tribute of a field of interfaces than that of the “individual organism”. It is the feed-back of the linking forces of a sistem protecting for quick and anarchic anihilation.

We live exceptionaly out of the mists of unknown dark matter and dark energy, but we have no right to talk about that in mystic terms. Our clear energy and matter give us a power enougth to think and live in the heart of a flamboyant life

Artists have a strong apetite to absorb mostly ex-forbidden knowledge and a surrealistic duty to attempt to bring the pseudo-unknown to laugthing light.


Ornamental connectivity of everything, like in Finnegans Wake – bringing the pornoecological nature of Being-Nonbeing as the truly poetic structure of life and death

Submersion in hybrid spacializations, in interactoractive trances

Interactoraction transforming the body-counscience-fields through images, sounds, words, etc.
Transforming the world as all-ready-made in all-art-experience-becoming





Ecstatic-syncretic emergencies of eccentric
personal structures, values, meanings

Process strip-teasing systems


behaviour bringing fucking form/formless

intuition inside reason (reason is the pornography of intuition)

mind as an in-between inside-outside matter



amplifying the licking Logos - mimetic progress?

shaking consciousness – party-parlamentary processes?

sliding structures - self-organising shake-the-fake-systems?

making comic-cognitive metaphors - Knowledge becoming an exciting and participating commedy?

Saturday, October 21, 2006

Que se lixe o derviche


Nem para dentro nem fora, espaça-se o espaço deixando-me molhado com a vaselina dos moldes.

Todos os vestigios que parece que deixam actuam como traições num despropositado feed-back.

Sitio-me ao situar-me e descaracterizar-me.

Fascino-me fantasmando-me. Desfaço o que parecia um desfazamento entre interior e exterior.

Sou o repasto de significações flutuantes, mas não sei onde é que elas se querem degradar anonimamente.

Divido-me cada vez mais para que se revele o emblemático. E no entanto não passo de um cliché simpático.

Que se lixe o derviche

pasticho-me pastichando-vos



antes de nos tornarmos desordeiros, para que nos venham a considerar clássicos, somos pastosos pastiches - devenho através dos pastiches, cada vez mais diferente do que seria um suposto «mim». Sou contra a necessidade de qualquer autenticidade.